Yaeji

Yaeji’s music is an invitation into an intimate, healing, world exploring cultural identity and self-reflection through dreamlike house productions that morph from whispery confessionals to dancefloor burners. Born in Queens, NY to South Korean parents, Yaeji repatriated to Seoul shortly after, where she spent her formative years attending school, learning Korean and English side-by-side. Yaeji returned to America to study fine arts, east asian studies, and communication design at Carnegie Mellon University in Pittsburgh, Pennsylvania. Throughout her studies, Yaeji made a home for herself at the college radio station, where she was introduced to the local underground electronic music community and seminal club nights like Hot Mass, all formative experiences leading to her fascination with dance music production. With her fully-fledged music obsession in tow, Yaeji moved back to her birth city after graduation and began cultivating her own community of artists and DJs in Brooklyn’s local dance scene while recording music of her own. Yaeji’s first musical offering, her self-titled Yaeji EP, found the producer merging her club influences with songwriting and hazy raps flitting between Korean and English. Most recently, Yaeji followed up her debut with EP2, featuring singles “Drink I’m Sippin On” and “Raingurl.” EP2 marks Yaeji’s ascendance as a singular and leading voice in dance, hip-hop and avant-pop music.

Jessy Lanza's second album 'Oh No' is addressed to her own constant nervousness. The pressure of music making, which used to calm her nerves, has led to a whole new world of contingencies that stoke the anxiety mill. The exclamation 'Oh No,' for Jessy, marks yet another incident of randomness interrupting her tranquillity. All of which seems at odds with the confidence and spontaneity of this second album as well as recent collaborationswith the likes of Caribou, DJ Spinn and Morgan Geist and his Galleria project. Made in her hometown of Hamilton, Ontario, with production partner Jeremy Greenspan from Junior Boys, the plaintive, reverb drizzled mood of the first album has all but given away to a more direct, self-assured and joyful album. As with many artists whose hometown lie off the usual network of cultural hotspots, 'Oh No' is driven positively by the idea of making music that isn't inspired by where she lives. Instead, the album resonates more with the philosophy of experimental pop of Japanese 80s electro outfit Yellow Magic Orchestra and Jessy's breathless, pitched vocals are reminiscent of YMO collaborator Miharu Koshi. Playfully laced with cascading arpeggios, crispy drum machines and breezy songs, 'Oh No' has an infectious energy that has been brewing in her live shows since her first album. As Jessy says 'I want to make people feel good and I want to make myself feel good.' The album oscillates between the languid, coiled, arpeggiated slow jams of 'New Ogi,' 'GoingSomewhere,' 'Begins,' 'Could be u,' 'I Talk BB' and the low slung 808 groove of 'Vivaca,' where Jessy's vocal gymnastics run wild over minimal drums and synths, and the catchy upbeat boogie of 'VV Violence,' 'Never Enough,' 'OhNo' and the high point of 'It Means I Love You" which has a sparse addictive bounce with a pitched up vocal refrain and a nod to Shangaan electro. The trials of dealing with nervousness are also encrypted into the artwork, such as the plants that recur in the sleeve and videos.As Jessy remarked, "I became obsessed with surrounding myself with tropical plants. I've been convinced that the air quality in our house is slowly killing us. It might sound crazy but the plants have made a huge difference." Anxiety and botanical remedies or not, 'Oh No' is a bold second album from Jessy and a marked step forward for her sound. Catch her as shetours with Junior Boys in February, plays EU headline shows from May to June, and in July has a North American Tour.