Dying Fetus: Make Them Beg For Death

In 1995, DYING FETUS self-released, promoted and distributed their first album, ‘Infatuation With Malevolence.’ In support of the album, the band toured the Eastern U.S., including a high-profile performance at the CMJ Music Convention at New York’s Lincoln Center. DYING FETUS also represented death metal as a genre on a panel at the convention. In 1996, DYING FETUS‘ second album, Purification Through Violence was released simultaneously in America on Pulverized Records and in Europe on Diehard Music Worldwide. The band immediately embarked on their first full North American tour, hitting 25 cities with Canada’s KATAKLYSM and Florida’s MONSTROSITY. The response to the band’s unreal live show was astounding and the DYING FETUS name began to take residence in the minds of metal heads everywhere. 1998 saw the release of DYING FETUS‘ third album, Killing on Adrenaline on both Germany’s Morbid Records and in the U.S. through the band’s own label, Blunt Force Records. DYING FETUS embarked on unprecedented 52-date North American/European tour, hitting 12 countries in the process- from Denmark to Spain and Belgium to Poland. The band performed at dozens of festivals, including co-headlining shows on the Morbid Metalfest, as well as the Superbowl of Hardcore. During this time, DYING FETUS continued to make a name for themselves, appearing in national and international magazines, placing tracks on dozens of compilation CDs, and consistently doing radio and internet promotional activities. All on their own accord. In 1999, DYING FETUS reissued the out of print ‘Infatuation with Malevolence’ CD (their 93-94 demo collection) with extra tracks via their own label, Blunt Force Records. The new version contained three live songs recorded on the 1998 European tour, as well as one demo track not included on the previous edition of the disc. Looking to expand their scope even further, DYING FETUS signed to Relapse Records in early 2000 and immediately hit the road for a U.S. tour with DESTRUCTION and KATAKLYSM. The band re-issued their Grotesque Impalement EP, a collection of old material and covers before completing work on their first Relapse album ‘Destroy The Opposition’. A musical mugging aimed at corporate “rock,” ‘Destroy The Opposition’ was a brutal response to the everyday stress and pressures of reality in today’s age, providing a natural outlet for the alienation and frustration that such a pathetically consumer-oriented and greed-dominated society creates. The record was an immediate success and the band hit the road, touring internationally in support of the album for the next 16 months. In 2012, the album went on to receive Decibel Magazine’s prestigious Hall of Fame honor. After almost three years DYING FETUS returned with Stop At Nothing in 2003. Symbolically representative of the greater alliance of anti-mainstream death metal/grindcore/hardcore-punk scenes, DYING FETUS stand in direct opposition to what is considered “normal” in the overwhelmingly conformist American musical arena. The band quickly hit the road in support of Stop At Nothing completing numerous North American and European headlining tours as well as delivering stand-out performances at international metal festivals. Since then, DYING FETUS has been on a path toward supremacy, destroying everything in their path while attracting more loyal followers with every step. 2007 saw the release of War of Attrition, which found the band touring with CANNIBAL CORPSE and label-mates NECROPHAGIST. This release was followed by Descend Into Depravity, the 2009 masterpiece which led to numerous headlining tours in North America and abroad, including the band’s first ever appearances in China and Southeast Asia. On June 19th 2012, DYING FETUS took their biggest leap yet, with their earth-shattering album Reign Supreme. Long-term fans rejoiced at the band’s consistency and critics lauded the band’s unparalleled musicianship, with Heavymetal.about.com raving that “Dying Fetus are at the top of their game with this record, which is sure to thrill old fans and gain them even more new ones.” With Reign Supreme, arguably their heaviest release yet, it is clear why the band has been hailed as “one of the most dominating forces in death metal,” and why they were booked to play the UK’s infamous Download Festival almost purely on a fan campaign via Facebook and Twitter. Anything less than total supremacy is simply not an option for this band. Now in 2017, DYING FETUS once again raise the bar of sonic extremity with their 8th studio album and first new material in over 5 years, Wrong One To Fuck With. The seasoned veterans manage to further stretch their creative and technical boundaries across 10 complex tracks of pulverizing death metal, filled with more dynamic intricacies, brutal breakdowns and varied vocal patterns than ever before. Now over 25 years into their distinguished career, DYING FETUS cement their legacy with Wrong One To Fuck With and uphold their position as the most dominant force in death metal today. DYING FETUS: John Gallagher: Guitar, Vocals Sean Beasley: Bass, Vocals Trey Williams: Drums

The Acacia Strain is an American metalcore from Chicopee, Massachusetts, United States, formed in 2001. The band has gone through several lineup changes and vocalist Vincent Bennett is the only current original member. The Acacia Strain is currently signed to Rise Records. Founded in 2001, The Acacia Strain was created by members of various Chicopee, Massachusetts, and northern Connecticut area bands most notably Blood Has Been Shed, Septic Orgasm, Daedalus/Complex, and Prosper. Since 2001, the band has undergone numerous member changes in which vocalist Vincent Bennett is the only remaining original member.

Despised Icon is a Canadian deathcore band from Montreal, Quebec. Formed in 2002, the band is noted for the talent of its drummer, Alex Pelletier, whom makes frequent use of the blasting technique, as well as for its dual lead vocalists; Alex Erian and Steve Marois. Erian takes use of a mid-range growl technique while Marois performs high-pitched fry shrieks, deeper growled vocals and pig squeals. In April 2010, the band disbanded, but officially reformed in four years later in February 2014. Collectively the group has released five full-length albums while succumbing to very little lineup changes throughout their run.

CREEPING DEATH quickly ascended to the top of the modern death metal pile with sheer determination, single-minded focus, bludgeoning heaviness, and breakneck intensity. Summoned forth from the fertile metal grounds of the Lone Star State, the DIY subculture bred miscreants of Creeping Death are staging their own sort of musical Alamo, entrenched with their fierce dedication to traditional death metal brutality and the fury of classic thrash. Revolver Magazine declared Creeping Death an Artist You Need to Know, celebrating the band’s Specter of War EP as “simple and brutal, much like a baseball bat to the face.” No Echo was among the first to shine a light on the Denton, Texas band, admiring the sludgy guitar tones and riffing style of old school death metal and swinging pit-friendly groove. The band’s blistering new full-length platter, Wretched Illusions, raises the stakes with undeniable and unrelenting anthems like “Bloodlust Contamination,” “World Decay,” “Corroded from Within,” and album opener “Ripping Through Flesh.” Each of the record’s ten tracks is a certified ripper, keeping those baseball bat swings coming, over and over.